Check out Contrabajeando by Astor Piazzolla on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on The song Contrabajeando was written by Ástor Piazzolla and Aníbal Troilo and was first released by Astor Piazzolla y su quinteto in It was covered by.
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As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla’s fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced piazzollx new individual style transcending these influences. The following year he took music lessons with the Hungarian classical pianist Bela Wilda, a student of Rachmaninoff who taught him to play Bach on his bandoneon. In his family piazzola the Konex Awardas the most important musician of the decade in Argentina.
The album includes the composition Aire de Buenos Aires by Mulligan. The piano tends to be used throughout as a percussive rhythmic backbone, while the electric guitar either joins in this role or spins filigree improvisations; the double bass parts are usually of little interest, but provide an indispensable rugged thickness to the sound of the ensemble.
Piazzolla would lead Fiorentino’s orchestra conttrabajeando and make many recordings with him, including his first two instrumental tangos, La chiflada and Color de rosa. Wikimedia Commons has media related to: At home he would listen to his father’s records of the tango orchestras of Carlos Gardel and Julio de Caroand was exposed to jazz and classical musicincluding Bachfrom an early age.
After making three albums in New York with the second quintet and producer Kip Hanrahantwo of which he described on separate occasions as “the greatest thing I’ve done”, he disbanded the quintet, formed a sextet with an extra bandoneon, cello, bass, electric guitar, and piano, and wrote music for this ensemble that was even more adventurous harmonically and structurally than any of his previous works Preludio y Fuga; Sex-tet.
Towards the end of the year he dissolved his sexteto and continued playing solo with classical string quartets and symphonic orchestras. Early in he formed his Sexteto Nuevo Tangohis last ensemble, with two bandoneons, piano, electric guitar, bass and cello.
During the period of Argentine military dictatorship from toPiazzolla lived in Italy, but returned many times to Argentina, recorded there, and on at least one occasion had lunch with the dictator Jorge Rafael Videla. At the end of the concert, a fight broke out among members of the audience who were offended by the inclusion of two bandoneons in a traditional symphony orchestra.
He composed and recorded a series of tangos with the String Orchestra of the Paris Opera and began to play the bandoneon while standing up, putting his right foot on a chair and the bellows of the instrument across his right thigh. Back in Buenos Aires he founded his Conjunto 9 a. Views Read Edit View history.
Original versions of Contrabajeando written by Ástor Piazzolla, Aníbal Troilo | SecondHandSongs
On September 6,his quintet gave a concert in New York’s Central Parkwhich was recorded and, inreleased in compact disk format as The Central Park Concert. A MemoirAmadeus Press Bella Donna Ensemble 9a.
Enrico IV New Octet Briefly forming his own group, the Jazz Tango Quintet with whom he made just two recordings, his attempts to blend jazz and tango were not successful. This would be Piazzolla’s last concert in Argentina. El fin del mundo These included Tango Suite for the virtuoso guitar duo Sergio and Odair Assad ; Histoire du Tangowhere a flutist and guitarist tell the history of tango in four chunks of music styled at thirty-year intervals; and La Camorraa suite in three ten-minute movements, inspired by the Neapolitan crime family and exploring symphonic concepts of large-scale form, thematic development, contrasts of texture and massive accumulations of ensemble sound.
Viaje de bodas Between and he composed a series of works that began to develop his unique style: Together they gave a concert at the Club Italiano in Buenos Aires in April, a recording of which was issued under the title of Tres minutos con la realidad. In Piazzolla composed his first tango, “La Catinga”. Marta Ferrari The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th- and 18th-century baroque music but also central to the idea of jazz “changes”, predominates piazzollq most of Piazzolla’s mature compositions.
The quintet of bandoneon, violin, piano, electric guitar and double bass was Piazzolla’s preferred setup on two extended occasions during his career, piazzolal most critics consider it to be the most successful instrumentation for his works. From Wikipedia, the free encyclopedia. In the summer of he performed at the Almeida Theatre in London for a week-long engagement.
His oeuvre revolutionized the traditional tango into a new style termed nuevo tangoincorporating elements from jazz and classical music.